Arieno Kera is interested in process based art practice and engage with painting and drawing as an archive of local tradition and cultural memory. Exploring a material based practice she engages critically with tools of representation derived from various traditional elements from her own indigenous background from Nagaland and interprets them into contemporary idioms of image making conversing with practice of drawing as an interface of representation, process and mark making. She translates personal experience into a performative signifier of memory and transformation.